What would you characterize the indie experience like from where you're sitting and where 10 Tons is as an indie? I've talked to a number of either lone wolf indie devs or to extremely small single-title teams but 10 Tons is a little bigger with a little more oomph. Obviously one game can't satisfy all players but we'll try to make sure there's a group that enjoys the game before going forward with the production. We use internal and external testing to verify that the prototype is enjoyable. ST: With Time Recoil we prototyped with several core ideas before we landed on the idea which became the finalized game.
How are variant games like this pitched or proposed and what is the oversight in place to ensure each game is distinctive but carries a consistent level of quality with the other titles? Having now played 3 twin-stick shooters using roughly the same core engine from 10 Tons I'm impressed at how different they all are in terms of their structure and even gameplay fundamentals. Mobile port is also in the works, but it will be a bit different so it takes some time.
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The PS4 and Xbox One versions will be out in Sep and Nintendo Switch should follow quickly after. We had our summer vacations in July so the release was pushed into early August. We started prototyping different ideas and experimented with art style in late 2016 while finishing up Neon Chrome mobile and working on Neon Chrome Arena DLC.įull-on production of Time Recoil started in January 2017 and it took only around six months to finish the game from the prototype to the release version. It would not have been possible if we didn't build on an existing game like Neon Chrome. ST: Time Recoil was a relatively quick project. Working with at least the bones and some of the assets that are common with other 10 Tons shooters how would you say that affects the process in creating new games within your group? For example, when speed running the levels you might need to find a way to trigger Time Freeze to get a three-star time.
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In Time recoil you will die a lot less and you'll be much quicker if you have a good plan on how to play the level. ST: The puzzle-like qualities come from the games that inspired Time Recoil. Would you say that the almost puzzle-like nature of the game in many levels, particularly if you're looking to do some speedruns, was a central piece that drove the design of things? Making sure that someone who is observant of which walls are in place in a given spot or to be sure enemies are paired or in clusters that would create a good power-up charging opportunities are there to be found and exploited? The game uses your basic "mad evil scientist extorting the world" trope which appears in a lot of superhero and sci-fi movies. Regarding the time manipulation stuff the Quicksilver-scenes from X-Men were an inspiration. ST: SUPERHOT and Hotline Miami were definitely a large influence. Since I could see many potential answers to this question what games and/or movies would you say influenced the style and story of Time Recoil the most? I was able to get some time from Sampo Töyssy, one of the game’s lead developers. Coming on the heels of subsequent weeks where they’ve released 2 of their popular twin-stick shooters they’re now bringing a third to the table in the form of Time Recoil, blending elements of getting your combo meter going from kills with a time slowdown mechanic that makes it a very different kind of game. Ever since dipping their toe into the Switch pool just a few weeks ago the folks at 10 Tons have been cranking out parts of their backlog and newly-released titles on the Switch.
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